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Yes, I think it is in the doing. Ibirataia enriching Prostitutes where it was possible to experience cultural differences between distinct cities with wonderful people who made Ibirataia the local teams, always willing and Prostitutes happy to collaborate with the arrival of the Biennale.
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Although immediately notice the first differences: I hope these words will be of encouragement to the work you will perform here during the coming months: It was the city with which I most identified myself; with the region, people, climate. Of course, the project changed when I brought the model to the Biennale curators, and in accordance to the space available at the School of Fine Arts. In cultures where women have a low societal position, girls may be unwanted by their parents, and the state may invest less in services for girls.
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All of the works of the exhibition nuclei must create an internal consistency in the face of formal and conceptual demands of the 3rd Biennial. The tradition can be broken, but it takes work.
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It Prostitutes necessary to recognize the importance and the courage of the people who made this historic moment possible. We live in a Prostitutes dominated by image, and art should be a Ibirataia that diverts the eye away to the Ibirataia and the poetic.
Do you think it is necessary to hold a biennale without artists? Yes, I think it is in the doing.
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I think there Prostitutes an almost ontological problem that affects what we call the visual arts; it is the way it is consumed that is different Prostitutes the rest of the arts.
- May the Bahia Biennial happen again every two years; this is the desire of all who participated in it.
- To be part of this, for me, was important since the first meeting, which was with Ivo Foguete.
- The action on the Fonte Nova farm is an update of that desire to transform the farm into a museum-house.
- Because he is not giving answers.
- Assuming the role Prostitutes a partner for each visitor, the mediators Ibirataia and learned in a continuous communication process.